Bareface: A Guide to C.S. Lewis's Last Novel by Doris T. Myers

By Doris T. Myers

          C. S. Lewis desired to identify his final novel “Bareface.” Now Doris T. Myers’s Bareface offers a welcome examine of Lewis’s final, so much profound, and so much skillfully written novel, until we've got Faces. even if many declare it truly is his most sensible novel, until eventually we now have Faces is an intensive departure from the fable style of Lewis’s Chronicles of Narnia and The Screwtape Letters and has been much less well known than Lewis’s previous works. In Bareface, Myers provides heritage details in this tricky paintings and indicates studying ideas designed to make it extra obtainable to common readers. She additionally offers a clean method of Lewis feedback for the joy of specialists.  Previous reports have frequently handled the radical as mere fable, ignoring Lewis’s attempt to give the tale of Cupid and Psyche as whatever which may have occurred. Myers emphasizes the historic historical past, the grounding of the characterizations in sleek psychology, and the completely life like narrative presentation. She identifies key books in historical and medieval literature, background, and philosophy that inspired Lewis’s considering in addition to declaring a formerly left out affinity with William James. From this context, a clearer figuring out of until eventually we've Faces can emerge.  Approached during this means, the paintings might be noticeable as a practical twentieth-century novel utilizing modernist ideas corresponding to the unreliable narrator and the manipulation of time. the main characters healthy smartly into William James’s typology of spiritual adventure, and Orual, the narrator-heroine, additionally develops the type of own adulthood defined by way of Carl Jung. while, either environment and plot offer insights into the traditional international and pre-Christian modes of thought.  Organized to facilitate shopping in response to the reader’s own pursuits and desires, this research is helping readers discover this advanced and sophisticated novel of their personal manner. Containing clean insights that even the main skilled Lewis student will take pleasure in, Bareface is an accomplishment necessary of Lewis’s lifelong contemplation.

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Glome is no different. When Trom’s wife (and more important, the child) is in danger, the king orders more sacrifices, and Orual awakes to the “smell of slaughtering” (TWHF, 14). To the king, the sacrifice is a business transaction; as the Latin ritual has it, Do ut des—I give (this sacrifice) so that you will give (what I want). When his wife dies and the child is seen to be a girl, he turns to the Old Priest and demands, “You had better recover what [Ungit] owes me” (TWHF, 15). As a Stoic, the Fox’s perspective is closer to Lewis’s Christian view.

23 24 Bareface being a healer. Her nature, which she could not change, was her doom. To have Orual begin the chapter by accusing Redival of ending the good time establishes Orual as an unreliable narrator, thus modernizing the story with a modern fictional technique. B. Context: Judea and Troy This chapter increases Psyche’s importance and stature by implying that she is first like Christ and then like Helen of Troy. ” The New Testament says that Jesus’ ministry was sometimes so demanding that he and his disciples had no time to rest, or even to eat.

In his face [or] voice” (TWHF, 173). D. Faith: The Old Priest (“Pagan Religion,” 204; “Stoicism,” 214; “James,” 175) The confrontation of the Old Priest’s belief in Ungit with the Stoicism of the Fox invites Lewis’s readers to consider the difference between superstition and strong conviction. To the Fox, the Old Priest’s faith is superstition, but Orual sees that there is something more in his words and behavior. His knowledge of deity is based on sixty-three years of dealing with Ungit. His experience of daily sacrifice and worship is quite different from the Fox’s abstract meditations on the Divine Nature.

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