By Steve Ellis
This booklet considers the literary building of what E. M. Forster calls 'the 1939 State', particularly the anticipation of the second one global warfare among the Munich difficulty of 1938 and the top of the Phoney struggle within the spring of 1940. Steve Ellis investigates not just myriad responses to the approaching conflict but additionally a number of peace goals and plans for post-war reconstruction defined through such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. It argues that the paintings of those writers is illuminated by way of the nervous tenor of this era. the result's a unique learn of the 'long 1939' , which transforms readers' realizing of the literary heritage of the eve-of-war period
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Extra resources for British writers and the approach of World War II
In Jacks and Whyte’s ‘amazing and disquieting book’, as a New English Weekly editorial called it,41 we discover that ‘probably more soil was lost from the world between 1914 and 1934 than in the whole of previous human history’ and that ‘as the result solely of human mismanagement, the soils upon which men have attempted to Post-Munich I: T. S. 42 Although the problem is not as acute in Western Europe as it is in other parts of the world (The Rape of the Earth, p. 20), where excessive reliance on technology has meant ‘the countryman [as well as the townsman] has lost living contact with the soil’ (p.
He puts on his hat and is now ready to go. ) johnson (hesitantly). Is it – a long way? the figure (suddenly smiling like an angel). I don’t know, Robert. johnson (awkwardly). No . . well . . good-bye . . (Johnson Over Jordan, pp. 115–16) Then follow the concluding stage directions: the music marches on, with more and more instruments coming in. JOHNSON looks about him, shivering a little, and turning up the collar of his coat. And now there is a rapidly growing intense blue light; the high curtains have gone at the back, where it is bluer and bluer; until at last we see the glitter of stars in space, and against them the curve of the world’s rim.
In Idea Eliot draws attention to the fact that ‘towards the end of 1938 we experienced a wave of revivalism’, labelling this a ‘folly’ and ‘hysteria’ from which he emphatically wishes to dissociate himself (Idea, p. 78; Preface, p. 10 With Moral Rearmament, according to Eliot, the Christianity expressed has been vague, the religious fervour has been a fervour for democracy. It may engender nothing better than a disguised and peculiarly sanctimonious nationalism, accelerating our progress towards the paganism which we say we abhor.